How it works
- An arm hangs from a fixed pivot under the middle of an upside-down U of aluminum extrusion, and swings side to side. A drum hangs on chains on each side, its head facing the arm. We started with a V-slot arm, rubber strikers, and a 10-inch and an 8-inch hand drum; the choices below cover the alternatives.
- The arm is the mallet, with no levers or hammers. It strikes one drum on each swing direction, a tick and a tock with two different sounds.
- The drums swing too. A struck drum swings away on its chains and comes back on its own time, about 1.1 s there and back against the arm’s 1.3 s. Where it is when the arm comes round changes when the next strike lands, and whether it lands at all, so two pendulums write part of the rhythm together.
- Nothing positions the arm. An electromagnet under its tip pulls on the steel washers there as the tip swings in, which adds a little to every swing, like an electric pendulum clock. Pulling as the tip swings away brakes it instead. An angle sensor on the pivot shaft tells the ESP32 where the arm is at every moment, so it knows when to pull. Direction decides when; physics does the playing.
- The size of the swing is the music. A swing that stays inside the drums is silent, and a bigger one reaches both and strikes harder. So the element can swing in silence while it lines up with the beat, then grow into the drums on the beat itself, as Control asks of elements that move.
- It converges rather than snapping to a beat. From still, the first strike comes about a second and a quarter after the magnet starts pulling, and stopping takes about as long. Every strike is planned that far ahead.
- It plays softly. Nudged, the arm meets a drum at about 0.4 m/s, a gentle hand tap. Drums that ring carry it. For louder, clamped drums give more back, and the cock-and-drop drive strikes about three times as fast.
- It differs from the Gantry Pendulum in what moves. The Gantry hangs a ball on a chain from a carriage that a stepper slides along its bar, and strikes targets clamped still; it can dash, strike once and catch the ball dead. Here nothing slides. The pivot is fixed, the arm is stiff, the drums swing, and the only drive is a magnet’s pull on each pass. It’s simpler to build and quieter to run, and less exact, because the drums write part of its rhythm.
- It’s a close cousin of the Click, which nudges a wind-up metronome’s swing with the same kind of magnet. The Click could be this mechanism in disguise.
- An ESP32-S3 runs it. It listens for the wireless signal, reads the sensor and switches the magnet, and it runs from the shared power-tool battery. If it hears nothing for a couple of seconds, it brakes the arm to a stop.
Ways to play
- Strike once on cue. Grow the swing just enough for one strike, then brake. The swing takes a second or so to build, so the element starts early by that much and the strike lands on the beat.
- Play a steady tick and tock by holding the swing just past the drums. The arm strikes every half swing, about every 0.65 s, whenever the drums’ own swing lets it.
- Swell by letting the swing grow pass by pass, from silence to a light touch to full strikes.
- Line up in silence, swinging inside the drums while lining up with the beat, then grow into them on it.
Before any code, swing the arm by hand and feel how a struck drum’s return moves the next strike.
Notes
- This is a first design. Expect one round of fitting when it’s built.
- The motion in the 3D model is simulated from the physics, with the arm, both drums, the magnet’s pulls and every strike. How much each strike bounces, how hard the magnet pulls and how fast the drums settle are guesses that a test build will measure. At the end of the loop the drums are eased to rest, a little sooner than real drums would settle.
- Costs in the parts list are rough estimates for budgeting, not checked prices. They add up the version we started with.
References
- In the well-known metronome synchronization demo, several metronomes on a loose shared platform drift, then pull each other into sync. It’s the physical version of the focus lock, though the Machine composes the moment instead of waiting for it.
- Electric pendulum clocks keep a pendulum swinging with small timed pushes, and older clocks drive it from a falling weight through an escapement. They’re the model for “direction decides when; physics does the playing.”