How it sounds
It’s a metal bowl holding a little water, struck by a mallet while it rocks slowly in a cradle. The sloshing water bends the pitch while the bowl rings, which is the warble heard when a bowl with water in it is struck.
- Level sets pitch. More water gives a lower pitch. The first water barely changes the note, and most of the bend comes as it nears the top.
- Slosh makes the warble. The water moves while the bowl rings, so each strike lands on a different slosh. Water sloshes at its own pace, a little under twice a second in this bowl, so a nudge gives a slow vibrato.
- Tilting wavers the note. As the bowl tilts, the water climbs one wall and falls on the other, and the note wavers.
- Drops plink. Each drop hitting the surface makes its own small sound.
- The siphon gulps. The note glides back up as the bowl drains, and a gulp of air ends each cycle. The pump’s soft whir is part of the sound too.
How it works
- A stainless mixing bowl hangs in a small V-slot cradle between two posts. Its axle is level with the top of the rim, so it rocks toward and away from the audience like a pendulum, turned by a stepper on the axle. We started with a 22 cm bowl a little over half full; the choices cover the alternatives.
- The mallet strikes on the rocking line. The point of the rim on the axle’s line hardly moves as the bowl tilts, so a mallet there keeps the same small gap at any tilt. Struck at the front instead, the rim would rise and fall about 14 mm with each rock. The cradle’s left arm stands well clear of the bowl to leave room for the mallet.
- The mallet is a trip hammer. A spring pulls it toward the bowl, and a stop holds it 2 mm clear. A cam on a second stepper pulls it back and lets it go. It flies in, its handle flexes past the stop, it strikes, and it springs back clear, so it rebounds instead of resting on the bowl and choking the note.
- A pump drips water in. A peristaltic pump lifts water from a sealed reservoir to a nozzle above the bowl. The note slides down as the bowl fills. The drip rate is the control: it sets how fast the note falls and how long a cycle takes.
- A bell siphon resets it. A standpipe rises through the middle of the bowl’s bottom, with a cap over it called the bell. When the water reaches the top of the standpipe, the siphon starts and drains the bowl down to the bell’s edge, then air rushing in breaks it with a gulp. It needs no electronics. The standpipe’s top sets the lowest note, and the bell’s edge sets the highest. The drain runs back to the reservoir through a soft hose.
- In one cycle, the note falls slowly as the bowl fills, glides back up while the siphon drains it, and starts again.
- The middle of a bowl’s bottom moves little when it rings, which is why a singing bowl rings on a palm. So the cradle holds the bowl there, and the drain goes through there.
- An ESP32 listens for the wireless signal and drives both steppers and the pump. It runs from the shared power-tool battery. If it hears nothing for a couple of seconds, it stops rocking and goes quiet.
How it plays
- It strikes on cue. The mallet waits cocked, so a strike lands a fixed time after its cue. Re-cocking takes about a second, so strikes can come about once a second at most.
- Slow rocking makes the note waver. A sway of a few seconds each way tilts the waterline without making waves.
- A nudge sets it sloshing. A quick small tilt sets the water sloshing at its own pace, and the note bends with it. Rocking at that same pace builds the slosh up until it spills, so the firmware keeps its rocking small near it.
- The fill is the slowest voice. At a drop a second, the note takes hours to slide down; as a thin stream, 10 to 15 minutes. The siphon then lifts it back up in about a minute.
Before any code, rock the cradle by hand and strike the bowl as it tilts. Then give it a quick nudge and strike it again while the water sloshes.
Living with water
- Water only falls, so the electronics sit above it. The box and the battery are on the right post, above the rim and outside the tray. The pump, its tubes and the nozzle stay on the left and over the middle.
- Everything wet is over the tray. It catches drips, slops and a leaking hose.
- To carry it, drain the bowl first. Lift off the bell and pull the standpipe out of the union, and the bowl drains into the reservoir. Then plug the reservoir’s vent and carry it level.
- It loses water to the air. The open bowl evaporates a little, so top up the reservoir in a long installation.
Notes
- This is a first design, drawn but not yet built. Expect one round of fitting, above all on the siphon.
- The bowl in the model is a generic 22 cm mixing bowl. Measure yours and change the numbers at the top of the CAD script, and the axle’s height and the mallet’s place follow.
- The slosh in the 3D model is simulated as the water’s first sloshing mode, with guesses for how fast it sloshes and how quickly it settles. The pitch figures are estimates from studies of wine glasses and singing bowls, listed below. Your bowl will differ, which is what the first assembly step is for.
- Costs in the parts list are rough estimates for budgeting, not checked prices. They add up the version we started with.
- There’s no firmware for it yet. Like every element, it will listen for Control, the one broadcast signal every element hears.
References
- Trip hammer. A rotating cam lifts a hammer and drops it. The mallet here works the same way.
- Wine glasses. A. P. French, “In vino veritas: A study of wineglass acoustics,” American Journal of Physics 51 (1983). It shows how a glass’s note falls as it fills, slowly at first and steeply near the top.
- Singing bowls. D. Terwagne and J. W. M. Bush, “Tibetan singing bowls,” Nonlinearity 24 (2011). It studies bowls part filled with water: how the note falls with the level, and the waves the water makes when the bowl sings.